M: Trying to record a quick shot at a parody of the song Bad Guy by Billie Eilish. Just kind of a first draft. Try and capture it in tokens in a way that would help me remember the cadence, because I've done this before by myself, and a recurring problem is that when I come back, I can't remember exactly how it was that I felt like I smoothly got things in there, like how the syllables worked. Anyway, here we go. Line reads recorded like real scenes. Thirty year olds act like they are teens. Edits skip cuts that should not be seen. Budgets beyond obscene. So it’s a rough script Not drafted enough script Horrible but loved script Sent down from above script It needs a rewrite No way that this could be right I hope that you agree, right This should’ve never seen light It’s a bad script
G: Got it. Below is a cadence-memory scaffold, not a rewrite. It’s meant to let you re-enter the groove later.
I’m using three layers:
Tempo feel: lazy / clipped / slightly behind the
beat
Bar feel: 4 beats, conversational, end-weighted
Line reads recorded like real scenes.
(9 syllables)
line READS | re-CORD-ed | like REAL SCENES
da DAH | da DAH da | da DAH DAH
| 1 . | 2 . | 3 4 |
Thirty year olds act like they are teens.
(10 syllables)
THIR-ty YEAR olds | ACT like they | are TEENS
DAH da DAH | DAH da da | da DAH
| 1 2 | 3 . | . 4 |
Edits skip cuts that should not be seen.
(10 syllables)
ED-its SKIP CUTS | that SHOULD not | be SEEN
DAH da DAH DAH | da DAH da | da DAH
| 1 2 | 3 . | . 4 |
Budgets beyond obscene.
(6 syllables) — compressed punch line
BUD-gets be-YOND | ob-SCENE
DAH da da DAH | da DAH
| 1 . | 3 4 |
(This is where the smirk lives.)
So it’s a rough script
(5 syllables)
SO it’s a ROUGH | SCRIPT
DAH da da DAH | DAH
| 1 . | 3 |
Not drafted enough script
(6 syllables)
NOT DRAFT-ed e-NOUGH | SCRIPT
DAH DAH da da DAH | DAH
| 1 2 | 4 |
Horrible but loved script
(6 syllables)
HOR-ri-ble but LOVED | SCRIPT
DAH da da da DAH | DAH
| 1 . | 4 |
Sent down from above script
(7 syllables)
SENT DOWN from a-BOVE | SCRIPT
DAH DAH da da DAH | DAH
| 1 2 | 4 |
(All four lines rhyme by timing, not vowel — that’s important.)
It needs a rewrite
(5 syllables)
it NEEDS a RE-write
da DAH da DAH
| 2 | 4 |
No way that this could be right
(7 syllables)
NO WAY that THIS | could be RIGHT
DAH DAH da DAH | da da DAH
| 1 2 | . 4 |
I hope that you agree, right
(7 syllables)
i HOPE that you | a-GREE RIGHT
da DAH da da | da DAH DAH
| 2 . | 4 |
This should’ve never seen light
(7 syllables)
THIS SHOULD’ve NE-ver | SEEN LIGHT
DAH DAH da DAH | DAH DAH
| 1 2 | 4 |
It’s a bad script
(4 syllables)
it’s a BAD | SCRIPT
da da DAH | DAH
| . | 4 |
Leave air after this. The silence sells it.
This is the map that lets you drop back into the feeling without re-deriving it.