M: name the top... 16 cultiest cult
movies as of right now. then give me two top ten lists: cultiest cult
moves up until the year 2000, and top 10 filmed after 2000.
G: Top 16 Cultiest
Cult Movies (As of Now – 2025)
These are the ones that define the word cult: rabid followings,
quotable lines, midnight screenings, cosplay, or obsessive niche
devotion.
- The Rocky Horror Picture Show (1975)
- The Room (2003)
- Eraserhead (1977)
- Donnie Darko (2001)
- Repo! The Genetic Opera (2008)
- Pink Flamingos (1972)
- Hedwig and the Angry Inch (2001)
- Brazil (1985)
- They Live (1988)
- Beyond the Black Rainbow (2010)
- Mandy (2018)
- Holy Mountain (1973)
- Hausu (House) (1977)
- Velvet Goldmine (1998)
- Gummo (1997)
- Barbarella (1968)
Top 10 Cultiest Cult Films
(Pre-2000)
- The Rocky Horror Picture Show (1975)
- Eraserhead (1977)
- Pink Flamingos (1972)
- They Live (1988)
- Hausu (House) (1977)
- Barbarella (1968)
- Harold and Maude (1971)
- Repo Man (1984)
- Brazil (1985)
- A Clockwork Orange (1971)
(Honorable mentions: The Warriors, Plan 9 from Outer
Space, Liquid Sky, The Toxic Avenger)
Top 10 Cultiest Cult Films
(Post-2000)
- The Room (2003)
- Donnie Darko (2001)
- Repo! The Genetic Opera (2008)
- Hedwig and the Angry Inch (2001)
- Mandy (2018)
- Beyond the Black Rainbow (2010)
- Rubber (2010)
- Scott Pilgrim vs. the World (2010)
- Everything Everywhere All at Once (2022)
- Skinamarink (2022)
(Honorable mentions: Swiss Army Man, Kung Fury,
Tusk, Belladonna of Sadness [re-release cult],
Cats [2019, ironically])
Let me know if you want a version focused more on horror, comedy,
LGBTQ+ themes, or visual oddities.
M: really - no spinal tap? not sad or
mad, just surprised.
G: Fair. That’s a valid
surprise.
This Is Spinal Tap (1984) absolutely deserves
mention—especially considering:
- Longevity of its cult: Still quoted, referenced,
and memed decades later.
- Multi-level fandom: Musicians, comedians, and
cinephiles all claim it.
- Cultural bleed-through: “Turn it up to 11”
entered the language.
- Mockumentary legacy: It practically invented a
subgenre.
Why it didn’t make the top
list:
It straddles the line between cult classic
and critical darling a bit too well. Many cult films
are initially misunderstood, hated, or commercially failed. Spinal
Tap was critically well-received from the start—even if the
audience took a minute to catch up.
But if we’re talking cultural saturation among
weirdos, yeah—it deserves a spot.
I'd slot it in like this:
- Replace Barbarella in the Top 16 with Spinal
Tap
- Replace Brazil or Repo Man in the pre-2000 Top 10
if you want a little less dystopia and more mock-rock
Want a re-ranked list with it included?
M: no, but let's change lanes a bit:
give me all those lists again, not for -cult- movies exactly, but for
-midnight- movies. the ones that will most get people out for a midnight
showing in the Rocky Horror style. you can include stuff like 'Dr.
Horrible' or other shows that weren't originally theater releases but
graduated because of this quality. that's what made me think of 'spinal
tap' and start this question in the first place.
G: Ah—perfect shift in framing.
Midnight movies are a different beast than cult movies:
They’re not just beloved—they’re performative, interactive,
eventized. They thrive on audience energy, cosplay, callbacks,
singalongs, quoting, and sometimes outright chaos.
With that in mind, here’s a full reboot of your request:
🎬 Top
16 Most Midnight-Worthy Movies (2025 Edition)
These are the films most likely to get butts in seats at
midnight—complete with costumes, callbacks, and group madness:
- The Rocky Horror Picture Show (1975) – The
undefeated champ.
- The Room (2003) – Spoons, footballs, yelling at
screens.
- Repo! The Genetic Opera (2008) – Gothic singalongs
and cosplay heaven.
- Hedwig and the Angry Inch (2001) – Queer rock opera
with legit heartbreak.
- Dr. Horrible’s Sing-Along Blog (2008) – Whedonverse
camp + tragedy.
- Little Shop of Horrors (1986) – Plant puppets and
doo-wop horror.
- Donnie Darko (2001) – Time loops and teenage doom
at its midnight-iest.
- This Is Spinal Tap (1984) – Music nerd chaos with
live quoting potential.
- Labyrinth (1986) – Goblin kings and glam
magic.
- Clue (1985) – Multiple endings + full-cast
cosplay.
- Beetlejuice (1988) – Visual madness and shoutable
weirdness.
- Velvet Goldmine (1998) – Midnight Bowie worship and
glam rock euphoria.
- Scott Pilgrim vs. the World (2010) – Gaming, music,
anime—all rolled up.
- Hausu (House) (1977) – WTF Japanese horror-comedy
chaos.
- UHF (1989) – Weird Al at peak weird. Audience could
be the movie.
- Moulin Rouge! (2001) – Baz Luhrmann spectacle and
singalong firepower.
🌙 Top 10 Midnight
Movies (Pre-2000)
- The Rocky Horror Picture Show (1975)
- This Is Spinal Tap (1984)
- Pink Flamingos (1972)
- Eraserhead (1977)
- Labyrinth (1986)
- Beetlejuice (1988)
- Clue (1985)
- UHF (1989)
- The Adventures of Buckaroo Banzai Across the 8th
Dimension (1984)
- Barbarella (1968)
(Honorable mentions: Liquid Sky, Return of the Living
Dead, Xanadu with irony)
🌘 Top 10 Midnight
Movies (Post-2000)
- The Room (2003)
- Repo! The Genetic Opera (2008)
- Hedwig and the Angry Inch (2001)
- Dr. Horrible’s Sing-Along Blog (2008)
- Donnie Darko (2001)
- Scott Pilgrim vs. the World (2010)
- Everything Everywhere All at Once (2022)
- Moulin Rouge! (2001)
- Cats (2019, ironic only)
- Mandy (2018)
(Honorable mentions: Tenacious D in The Pick of Destiny,
Kiss Kiss Bang Bang, Hot Rod, House of 1000
Corpses)
Let me know if you want a separate musical-only
midnight list, or a live-performance-optimized
shortlist (films where callback scripts or shadowcasts are most
viable).
M: your honorable mentions are teasing
me... can you expand the pre-2000 and post-2000 lists to 25 without
diluting the midnight-movie quality captured by stuff like 'the room'
and 'labyrinth'?
G: Hell yes. Expanding to 25 while
keeping that midnight movie energy—we’re talking:
- High audience interaction potential
- Bizarre or campy visuals
- Over-the-top performances
- Singalongs, callbacks, cosplay
- Films that become better when seen in a group at
midnight
🌙 Top 25 Midnight
Movies (Pre-2000 Edition)
- The Rocky Horror Picture Show (1975)
- This Is Spinal Tap (1984)
- Pink Flamingos (1972)
- Eraserhead (1977)
- Labyrinth (1986)
- Beetlejuice (1988)
- Clue (1985)
- UHF (1989)
- Barbarella (1968)
- The Adventures of Buckaroo Banzai Across the 8th
Dimension (1984)
- Return of the Living Dead (1985) – “BRAAAINS!” +
punk zombies
- Little Shop of Horrors (1986) – Feed me that
audience energy
- Plan 9 from Outer Space (1959) – The
original “so bad it’s good”
- The Apple (1980) – Disco biblical musical. Yes,
really.
- Flash Gordon (1980) – Camp + Queen + endless
shoutability
- Liquid Sky (1982) – Fashion, aliens, drugs,
neon
- The Warriors (1979) – “Come out to plaaay” crowd
echoes
- The Toxic Avenger (1984) – Troma chaos. Gross-out
central.
- Xanadu (1980) – Roller disco fantasy bomb turned
cult sparkle
- Tommy (1975) – Rock opera overload, pinball
wizardry
- Rock & Rule (1983) – Animated glam-punk
apocalypse
- Night of the Comet (1984) – Valley girls + comet
zombies
- Manos: The Hands of Fate (1966) – Pure MST3K
fuel
- Heavy Metal (1981) – Sex, drugs, and rotoscoped
metal
- Velvet Goldmine (1998) – Glam, glitter, and Ewan’s
open robe
🌘 Top 25 Midnight
Movies (Post-2000 Edition)
- The Room (2003)
- Repo! The Genetic Opera (2008)
- Hedwig and the Angry Inch (2001)
- Dr. Horrible’s Sing-Along Blog (2008)
- Donnie Darko (2001)
- Scott Pilgrim vs. the World (2010)
- Everything Everywhere All at Once (2022)
- Moulin Rouge! (2001)
- Cats (2019, ironic only)
- Mandy (2018)
- Tenacious D in The Pick of Destiny (2006) – stoner
rock singalongs
- House of 1000 Corpses (2003) – Rob Zombie’s
grotesque carnival
- Rubber (2010) – Psychic killer tire. Enough
said.
- Velocipastor (2018) – Priest turns dino to fight
ninjas
- Death Proof (2007) – Grindhouse energy + callout
moments
- Snakes on a Plane (2006) – Crowds cheer Samuel’s
lines
- Sweeney Todd: The Demon Barber of Fleet Street
(2007) – Bloody Broadway
- Kung Fury (2015) – Retro synth madness, short but
legendary
- Hot Rod (2007) – Lonely Island absurdity + great
group energy
- Troll 2 (1990, but cult bloomed post-2000) –
“They’re eating her!” etc.
- What We Do in the Shadows (2014) – Vampire deadpan
cosplay gold
- Black Dynamite (2009) – Parody so perfect it loops
back into homage
- Cats Don’t Dance (1997, reappraised post-2000) –
Family-friendly weird
- Spring Breakers (2012) – Hypnotic trash-art and
chaotic neon
- Barbie (2023) – If the crowd leans camp, this one
slaps
Want a printable checklist or breakdown by sub-theme (musical,
horror, irony-core, etc)? Or do you want me to generate fake callback
lines for some of these to show how they'd feel in
performance?
M: i can't tell you when it would start
to be a stretch for me, but using whatever judgment you choose, can you
tell me how long each of the pre/post 2000 lists would be if you threw
in the best choices? like, earlier i asked if you could make it to 25
entries without losing the essential quality that defines this type of
movie - how far would it be before your additions started to feel a
little bit unqualified?
G: Using your
standard—films that don't just have a cult following but
actually generate midnight energy—here’s how far each
list can realistically stretch before it begins to feel padded
or misaligned with the vibe of a true midnight movie
(the kind where:
- people dress up
- scream at the screen
- laugh where they’re not supposed to
- or burst into singalongs)
🌙 Pre-2000: Natural
Midnight Ceiling
Confident picks without dilution: ~35
Soft boundary (a few borderline entries): ~45
Beyond 45: Starts pulling in “cult-interesting” or
“critical weird” movies that lack performative energy
Sweet spot ends around:
- #35: Movies like Freaked (1993), Phantom of the
Paradise (1974), Twin Peaks: Fire Walk with Me (1992),
Drop Dead Gorgeous (1999), Basket Case (1982)
- By #40+: You’d be reaching for things like Delicatessen or
The Last Dragon—interesting, but not reliable crowd
rousers
🌘 Post-2000: Natural
Midnight Ceiling
Confident picks without dilution: ~30
Soft boundary: ~40
Beyond 40: Many entries start relying on
irony, TikTok virality, or stunt viewings
rather than shared energy
Sweet spot ends around:
- #30: Films like Hausu (1977) (yes, re-release crowd hit),
Birdemic, Gentlemen Broncos, Greasy
Strangler, Vampires vs. Bronx
- By #40+: You get things like Zardoz-style arthouse drag-ins
or Synecdoche, New York as a slow-burn oddity—but these don’t
move the room
TL;DR – Your
Midnight Movie Roster Maxes Out At:
| Pre-2000 |
~35 solid / ~45 soft cap |
| Post-2000 |
~30 solid / ~40 soft cap |
I can give you the rest of those extended lists if you want to
explore the edge cases—some of them are fascinating precisely
because they almost qualify.
M: okay, please give me both lists up to
the point where the entries 'start losing the spark', as you put it. (so
if you start building and it gets to, like, 60, that's fine - i'm not
holding you to a definite number.)
G: Here are the full
expanded midnight movie lists—both pre-2000 and
post-2000—built up to the point where the spark begins to fade. These
are sequenced by confidence: the higher the rank, the more undeniable
the midnight potential.
🌙
Pre-2000 Midnight Movies (Solid Through Entry
~#41)
- The Rocky Horror Picture Show (1975)
- Pink Flamingos (1972)
- This Is Spinal Tap (1984)
- Labyrinth (1986)
- Beetlejuice (1988)
- Little Shop of Horrors (1986)
- UHF (1989)
- Clue (1985)
- Return of the Living Dead (1985)
- The Adventures of Buckaroo Banzai (1984)
- Barbarella (1968)
- Tommy (1975)
- The Apple (1980)
- Eraserhead (1977)
- Flash Gordon (1980)
- The Warriors (1979)
- Xanadu (1980)
- The Toxic Avenger (1984)
- Plan 9 from Outer Space (1959)
- Night of the Comet (1984)
- Heavy Metal (1981)
- Velvet Goldmine (1998)
- Rock & Rule (1983)
- Manos: The Hands of Fate (1966)
- Freaked (1993)
- Phantom of the Paradise (1974)
- Basket Case (1982)
- Showgirls (1995)
- Earth Girls Are Easy (1988)
- Evil Dead II (1987)
- Akira (1988)
- Toxic Avenger Part II (1989)
- Dead Alive (1992)
- Drop Dead Gorgeous (1999)
- Twin Peaks: Fire Walk With Me (1992)
- Cry-Baby (1990)
- Reefer Madness (1936, revived as comedy fodder)
- Rock ‘n’ Roll High School (1979)
- The Last Dragon (1985)
- Attack of the Killer Tomatoes (1978)
- Polyester (1981)
⬇️ Spark begins to dim after this point.
- Delicatessen (1991) – Brilliant, but more visually weird than
performative
- Killer Klowns from Outer Space (1988) – Fun, but interaction is
shallow
- Zardoz (1974) – Wild visuals, but harder to rally a crowd
- Liquid Sky (1982) – Great for fashion freaks, niche outside
that
- Forbidden Zone (1980) – Surreal, musical, and unhinged, but too
obscure
- Pee-wee’s Big Adventure (1985) – Wholesome weird, but lacks adult
edge
- Suburbia (1983) – Great punk ethos, but slow for midnight
pacing
- The Stuff (1985) – Ironically funny, but slower energy
- El Topo (1970) – Cult holy grail, but more trippy than fun
🌘
Post-2000 Midnight Movies (Solid Through Entry
~#34)
- The Room (2003)
- Repo! The Genetic Opera (2008)
- Hedwig and the Angry Inch (2001)
- Dr. Horrible’s Sing-Along Blog (2008)
- Donnie Darko (2001)
- Scott Pilgrim vs. the World (2010)
- Everything Everywhere All at Once (2022)
- Moulin Rouge! (2001)
- Mandy (2018)
- Cats (2019, ironic only)
- Tenacious D in The Pick of Destiny (2006)
- House of 1000 Corpses (2003)
- Rubber (2010)
- Death Proof (2007)
- What We Do in the Shadows (2014)
- Kung Fury (2015)
- Snakes on a Plane (2006)
- Sweeney Todd (2007)
- Velocipastor (2018)
- Troll 2 (1990, re-found post-2000)
- Hot Rod (2007)
- Black Dynamite (2009)
- Spring Breakers (2012)
- Gentlemen Broncos (2009)
- The Greasy Strangler (2016)
- Birdemic: Shock and Terror (2010)
- Hausu (1977, re-emerged as midnight fave)
- Barb and Star Go to Vista Del Mar (2021)
- Cats Don’t Dance (1997, late cult bloom)
- Scott Pilgrim Takes Off (2023, animated)
- Slither (2006) – Crowd-pleasing gross-out
- Morbius (2022, for memes not merit)
- The Love Witch (2016) – Gorgeous, ironic kitsch
- Sharknado (2013) – So-dumb-it-works crowd bait
⬇️ After this point, the midnight viability starts to
sag.
- Synecdoche, New York (2008) – Too cerebral for late-night cheer
- Bad Milo! (2013) – Cult-ish, but forgettable
- Napoleon Dynamite (2004) – Iconic, but too dry for midnight
rowdiness
- Detention (2011) – Tonally perfect but too obscure
- Bitch Slap (2009) – Sleaze parody, but lacks staying power
- Censor (2021) – Horror meta, too somber
- Sorry to Bother You (2018) – Weird enough, not punchy enough
- Swiss Army Man (2016) – Poetic farting, not much shouting
- Under the Silver Lake (2018) – Long, dreamy, great for 1am
naps
- Antiviral (2012) – A Cronenberg son joint, better for a solo
spiral
- Titane (2021) – Daring, but challenges rather than unites a
crowd
Let me know if you want themed variants next—e.g. Midnight
Musicals, Midnight Horror, Drag
Favorites, or Most Callback-Friendly.
M: i think you dropped barbie; and i'd
argue 'super mario bros' (the original) had potential - my rocky horror
group did a performance - so (this is a curiosity question, not
confrontational arguing for its inclusion) what was it lacking to keep
it off the list?
G: You're right to bring up
both—let’s take them one at a time:
🎀 BARBIE (2023)
I did drop it in the expanded version—good catch.
That was an oversight, not a judgment. Barbie absolutely earns a
low-tier but valid spot on the post-2000 midnight list.
Here’s why:
✅ Midnight Merits:
- Visual overload – Pink acid trip in HD
- Cultural moment – Instant crowd energy, memes,
meta-layered feminism
- Costume magnet – Whole theaters already showed up
in full Barbie drag
- Callbacks & parody – A shadowcast is
inevitable
🤏 Why it's low-tier, not
top-tier (yet):
- Dialogue density – Too sincere or talky in some
places for full audience chaos
- Ownership – Still “mainstream” shiny; hasn’t
fully been claimed by the weirdos
- Interactivity – Needs time to build callback
traditions
If I revised the post-2000 list to 35 entries, Barbie would
be #35 or #36, edging out Synecdoche and Napoleon
Dynamite.
🍄 Super Mario Bros.
(1993)
Ah, yes. The Dennis Hopper live-action trip.
✅ Strong potential:
- Absolutely bonkers world design
- Legendarily bad dialogue
- Audience quoting opportunities (“Trust the
fungus!”)
- Campy villain and bizarre costume work
- Existing fandoms (Mario, cyberpunk, '90s
nostalgia)
🚫 Why it didn't make the
initial cut:
- Energy inconsistency – Weird and slow.
Momentum dies mid-movie.
- Uncertain tone – It’s not clear if it’s for kids,
adults, stoners, or lizards
- Cosplay risk – More fun to talk about than actually
perform unless scripted
- Lack of singalong or musical structure – No
built-in crowd rhythm
- Regional inconsistency – Some shadowcasts (like
yours) embraced it, but it never nationally stuck
That said: if you’ve performed it successfully with
callbacks, then it's proven it can work. I’d say it's a
“fringe midnight” entry—worthy of slot #42–#50 on a
flexible pre-2000 list.
TL;DR
| Barbie (2023) |
Should’ve been #35-ish |
| Super Mario Bros. |
Just outside the top 40, but viable with the right crowd |
Want a list of near misses that have been performed
at midnight shows but never broke wide?
M: that's what i was thinking. please
give the most recent lists you gave a couple read throughs, then build
as extensive of a list of overlooks (like barbie), near misses, and
those that that never broke nationwide as you can - a massive list is
fine, i'll take hundreds if you can argue for them. (but stick with a
single short sentence in that argument; i want a list, not a novel.)
G: Here's a deep-dive list of
overlooked, near-miss, or
regionally performed midnight movies—titles that didn’t
make the expanded core lists, but which have legitimate midnight
movie potential under the right conditions.
Each includes a one-sentence justification. Grouped loosely by
category for readability:
🎭 Camp, Musical, and
Drag-Adjacent
- Barbie (2023) – Already generating cosplay and
audience rituals.
- Spice World (1997) – Pure pop absurdity with
built-in costume culture.
- To Wong Foo, Thanks for Everything! Julie Newmar
(1995) – Drag royalty road trip with crowd-pleasing lines.
- Priscilla, Queen of the Desert (1994) – Sequins,
lip-syncs, and enough sass to fill a midnight.
- Burlesque (2010) – So formulaic it loops into
comfort-watch camp.
- The Pirate Movie (1982) – Musical parody with
Rocky-level nonsense.
- Cinderella (1997, Brandy/Whitney) – Magical,
beloved, and meme-revived.
- Zoolander (2001) – Walk-off-ready and quotable
front to back.
- Showgirls 2: Penny’s from Heaven (2011) – Bizarre
self-aware sequel bait.
- Cats (1998 stage version) – Pre-movie musical with
fandom baggage and nostalgia.
- Muppets from Space (1999) – Low-key surreal, with
built-in musical cues.
🎤
Music-Based or Concert Films with Cult Potential
- Purple Rain (1984) – Prince’s ego trip becomes
gospel in the right room.
- CB4 (1993) – Parody rap biopic with strong
quotability.
- Cool as Ice (1991) – Vanilla Ice’s movie is pure
'90s cringe-glory.
- Moonwalker (1988) – Michael Jackson fever dream
with anime pacing.
- Stop Making Sense (1984) – Gained traction again
post-2023 re-release.
- Spice Girls: Viva Forever Concert (live-recorded) –
Already fan-sung at home.
🧟♂️ Horror, Gore, or Occult
Cult
- Society (1989) – Body horror that’s more camp than
scary.
- The Gate (1987) – Claymation demons and teen
satanic panic.
- Slumber Party Massacre II (1987) – Rockabilly
drill-killer musical horror.
- Ghoulies (1984) – Toilet monster plus satanic-lite
vibes.
- The Hunger (1983) – Goth sex vampires with David
Bowie.
- May (2002) – Creepy girl loner becomes weirdly
iconic.
- Teeth (2007) – Feminist horror with built-in groans
and cheers.
- Tammy and the T-Rex (1994) – Paul Walker’s brain in
a robot dino.
- The Love Witch (2016) – Gorgeous pastiche perfect
for drag audiences.
- Possession (1981) – Screaming, tentacle sex, and
metaphor overdrive.
- Bubba Ho-Tep (2002) – Elvis vs. mummy in a nursing
home.
- The Poughkeepsie Tapes (2007) – Infamous “lost”
film with underground buzz.
- Pontypool (2008) – Language-based zombie infection
with cerebral hooks.
- House (1986, American) – Vietnam PTSD ghost comedy…
sort of.
- Neon Maniacs (1986) – Monster trading cards come to
life.
- Chopping Mall (1986) – Mall security robots go
rogue, hilariously.
😵💫 So-Bad-It’s-Good
or Glitchy Energy
- Cool World (1992) – Horny toon mess starring Brad
Pitt.
- The Lawnmower Man (1992) – VR prophecy with CGI
that aged terribly.
- North (1994) – Infamous Rob Reiner misfire with
shriekable cameos.
- Mac and Me (1988) – E.T. ripoff with Coke and
McDonald’s tie-ins.
- The Happening (2008) – Mark Wahlberg vs. the wind,
sincerely.
- Batman & Robin (1997) – “Ice to see you!” and
other Schwarzenegger chaos.
- Battlefield Earth (2000) – Scientology’s space
fever dream.
- Toys (1992) – Robin Williams in a surrealist toy
factory war plot.
- Cats & Dogs (2001) – CIA dog agents, cat
overlords, peak absurd.
- Zoom (2006) – Off-brand superhero school movie with
no tone control.
- Foodfight! (2012) – Possibly the ugliest animated
movie ever made.
👾 Nostalgic or Fandom
Crossovers
- Super Mario Bros. (1993) – Cyberpunk mushroom
nightmare with legit crowd energy.
- Teenage Mutant Ninja Turtles (1990) – Puppet
martial arts plus pizza cult.
- Mighty Morphin Power Rangers: The Movie (1995) –
Neon sludge + nostalgia.
- Space Jam (1996) – Looney Tunes sports logic
chaos.
- Pokémon: The First Movie (1998) – “You were too
busy crying to hear Mewtwo’s speech.”
- Digimon: The Movie (2000) – ADHD pacing and
meme-ready visuals.
- Clifford (1994) – Martin Short as a demonic
child.
- Fantastic Planet (1973) – Animated French nightmare
fuel.
- The Fall (2006) – Visuals so overwhelming they
override logic.
- Tetsuo: The Iron Man (1989) – Industrial body
horror fever dream.
- Gozu (2003) – Yakuza Lynchian weirdness from
Takashi Miike.
- Guy Maddin’s Brand Upon the Brain! (2006) –
Live-score ready.
- The Forbidden Room (2015) – Maddin again, with
better pacing.
🏍️
Action/Exploitation/Genre Films with Crowd Muscle
- The Wicker Man (2006) – Nicolas Cage screaming
about bees.
- Torque (2004) – Bikes + Matrix parody + Ice
Cube.
- Dead or Alive (2006) – Video game jiggle-fest +
volleyball fights.
- DOOM (2005) – First-person shooter segment plays
like a gag reel.
- Crank (2006) – Real-time Jason Statham adrenaline
overdose.
- Drive Angry (2011) – Cage again, car-based
hellspawn shooter.
- Ultraviolet (2006) – Incoherent editing = peak
ironic watch.
- Gamer (2009) – Gerard Butler in a deathmatch Twitch
game.
- Punisher: War Zone (2008) – Ludicrously violent and
quotable.
- Don’t Look Now (1973) – Abstract horror with
screamable pacing.
- Pi (1998) – Obsessive numerology for a
black-and-white crowd.
- The Cell (2000) – Costume porn meets body horror
art.
- A Field in England (2013) – Psychedelic Civil War
acid trip.
- Beyond the Black Rainbow (2010) – Already
borderline mainlist.
🐍
Obscure Indies or Festival Darlings That Gained a
Following
- Greener Grass (2019) – Suburban pastel horror
comedy.
- LFO (2013) – Hypnotic audio mind-control with
deadpan energy.
- The FP (2011) – Post-apocalyptic DDR dance
gangs.
- She’s Allergic to Cats (2016) – VHS glitch romance
gross-out.
- Bloody Muscle Body Builder in Hell (1995/2014) –
Japan’s Evil Dead.
- I’m a Cyborg, But That’s OK (2006) – Asylum romance
via Park Chan-wook.
- Night Is Short, Walk On Girl (2017) – Anime pub
crawl chaos.
Let me know if you want any of these sorted by
genre, callback potential, or
audience type (LGBTQ+, horror fans, anime lovers, etc).
This list can keep growing if you want subcultures explored.
M: let's circle back to the original
version of the task. i've seen 'el topo' and 'holy mountain' - so glad
they got reshuffled - and i'll give you that while i found 'the fp'
hilarious, it needs publicity to get to national level... let's try
another set of lists, again split into pre/post 2000. give me pre/post
lists of the cultiest cult movies, using a similar method for a lenghty
list and stopping once you judge the luster starts falling off, and then
review the list a couple times to catch stragglers and special cases
like you just did. then give me another pair of pre/post lists in the
same manner, but this time judging for home-movie midnight movies; stuff
that would be good for a group of people with a fifth of alcohol and
popcorn. As you do so, cleary indicate/mark which movies have been
mentioned on previous lists - i don't mind and even welcome the overlap,
but i need to be able to tell as i quickly scan where the redundancies
have occurred.
G: Perfect. Below are four full
lists:
- Cultiest Cult Movies – Pre-2000
- Cultiest Cult Movies – Post-2000
- Home-Midnight Movies – Pre-2000
- Home-Midnight Movies – Post-2000
Each entry that already appeared in a previous list
(from earlier in this conversation) is marked with 🔁.
These are the ones you’ve already seen or had discussed before.
🎥 Cultiest
Cult Movies – Pre-2000 (Stops ~#50)
These are the films that have gathered obsessive, dedicated,
often deeply weird fanbases. Not necessarily midnight movies,
but enduring, often polarizing, and extremely claimed by niche
groups.
- The Rocky Horror Picture Show (1975) 🔁
- Pink Flamingos (1972) 🔁
- Eraserhead (1977) 🔁
- El Topo (1970) 🔁
- The Holy Mountain (1973) 🔁
- Harold and Maude (1971)
- The Wicker Man (1973) 🔁
- Freaks (1932)
- Barbarella (1968) 🔁
- A Clockwork Orange (1971)
- The Warriors (1979) 🔁
- Repo Man (1984) 🔁
- The Texas Chain Saw Massacre (1974)
- Suspiria (1977)
- The Last House on the Left (1972)
- Basket Case (1982) 🔁
- Liquid Sky (1982) 🔁
- Manos: The Hands of Fate (1966) 🔁
- House (1977) 🔁
- Plan 9 from Outer Space (1959) 🔁
- The Toxic Avenger (1984) 🔁
- Twin Peaks: Fire Walk with Me (1992) 🔁
- Videodrome (1983)
- The Apple (1980) 🔁
- Beyond the Valley of the Dolls (1970)
- Polyester (1981) 🔁
- The Adventures of Buckaroo Banzai (1984) 🔁
- Liquid Sky (1982) 🔁
- Zardoz (1974) 🔁
- Meet the Feebles (1989)
- Santa Sangre (1989)
- Rock & Rule (1983) 🔁
- The Cook, the Thief, His Wife & Her Lover (1989)
- Street Trash (1987)
- Wild at Heart (1990)
- Heavy Metal (1981) 🔁
- Tetsuo: The Iron Man (1989) 🔁
- The Reflecting Skin (1990)
- Begotten (1989)
- Freaked (1993) 🔁
- Cry-Baby (1990) 🔁
- The Baby (1973)
- Suburbia (1983) 🔁
- The Forbidden Zone (1980) 🔁
- The Peanut Butter Solution (1985)
- Return to Oz (1985)
- Vampyros Lesbos (1971)
- Valerie and Her Week of Wonders (1970)
- Phantom of the Paradise (1974) 🔁
- Death Bed: The Bed That Eats (1977)
🎥 Cultiest
Cult Movies – Post-2000 (Stops ~#40)
Obsession-worthy, fringe-defining, or fan-ritualized. Not necessarily
built for midnight viewing, but cults have formed around
them.
- The Room (2003) 🔁
- Donnie Darko (2001) 🔁
- Hedwig and the Angry Inch (2001) 🔁
- Repo! The Genetic Opera (2008) 🔁
- Everything Everywhere All at Once (2022) 🔁
- Mandy (2018) 🔁
- The Greasy Strangler (2016) 🔁
- Rubber (2010) 🔁
- Swiss Army Man (2016) 🔁
- Tusk (2014)
- Skinamarink (2022) 🔁
- Titane (2021) 🔁
- A Field in England (2013) 🔁
- Spring Breakers (2012) 🔁
- House of 1000 Corpses (2003) 🔁
- Under the Silver Lake (2018) 🔁
- Censor (2021) 🔁
- The Love Witch (2016) 🔁
- I’m a Cyborg, But That’s OK (2006) 🔁
- The Forbidden Room (2015) 🔁
- Sorry to Bother You (2018) 🔁
- Gentlemen Broncos (2009) 🔁
- Belladonna of Sadness (1973 re-release boom)
- Midsommar (2019)
- Hereditary (2018)
- The Lighthouse (2019)
- An Evening with Beverly Luff Linn (2018)
- In Fabric (2018)
- Barb and Star Go to Vista Del Mar (2021) 🔁
- Napoleon Dynamite (2004) 🔁
- Birdemic (2010) 🔁
- Detention (2011) 🔁
- Beyond the Black Rainbow (2010) 🔁
- The FP (2011) 🔁
- Bellflower (2011)
- The Congress (2013)
- Dogtooth (2009)
- Holy Motors (2012)
- Greener Grass (2019) 🔁
- The Wolf House (2018)
🍿
Home-Midnight Movies – Pre-2000 (Stops ~#40)
Films ideal for couch chaos, popcorn hurling, MST3K-style riffing, or
singing along with a bottle in hand.
- The Rocky Horror Picture Show (1975) 🔁
- UHF (1989) 🔁
- Clue (1985) 🔁
- Little Shop of Horrors (1986) 🔁
- Barbarella (1968) 🔁
- Plan 9 from Outer Space (1959) 🔁
- Manos: The Hands of Fate (1966) 🔁
- Flash Gordon (1980) 🔁
- The Apple (1980) 🔁
- Showgirls (1995) 🔁
- Mac and Me (1988) 🔁
- The Toxic Avenger (1984) 🔁
- Earth Girls Are Easy (1988) 🔁
- The Last Dragon (1985) 🔁
- Xanadu (1980) 🔁
- Troll 2 (1990) 🔁
- Pee-Wee’s Big Adventure (1985) 🔁
- Killer Klowns from Outer Space (1988) 🔁
- Attack of the Killer Tomatoes (1978) 🔁
- Freaked (1993) 🔁
- Super Mario Bros. (1993) 🔁
- North (1994) 🔁
- Cool as Ice (1991) 🔁
- Clifford (1994) 🔁
- The Stuff (1985) 🔁
- The Wicker Man (1973) 🔁
- Gremlins 2: The New Batch (1990)
- Tammy and the T-Rex (1994) 🔁
- The Gate (1987) 🔁
- Slumber Party Massacre II (1987) 🔁
- Chopping Mall (1986) 🔁
- Food of the Gods (1976)
- Night of the Creeps (1986)
- Big Trouble in Little China (1986)
- Howard the Duck (1986)
- Spaceballs (1987)
- Death Bed: The Bed That Eats (1977) 🔁
- Reefer Madness (1936) 🔁
- Time Bandits (1981)
- Bill & Ted’s Bogus Journey (1991)
🍿
Home-Midnight Movies – Post-2000 (Stops ~#40)
For your living room audience who wants weird, shoutable, hilarious,
or music-infused movies at 1 a.m.
- The Room (2003) 🔁
- Dr. Horrible’s Sing-Along Blog (2008) 🔁
- Hedwig and the Angry Inch (2001) 🔁
- Tenacious D in The Pick of Destiny (2006) 🔁
- Scott Pilgrim vs. the World (2010) 🔁
- Rubber (2010) 🔁
- Black Dynamite (2009) 🔁
- Velocipastor (2018) 🔁
- Kung Fury (2015) 🔁
- Cats (2019) 🔁
- Birdemic (2010) 🔁
- The Greasy Strangler (2016) 🔁
- Barb and Star Go to Vista Del Mar (2021) 🔁
- Barbie (2023) 🔁
- Morbius (2022) 🔁
- House of 1000 Corpses (2003) 🔁
- Mandy (2018) 🔁
- Snakes on a Plane (2006) 🔁
- Napoleon Dynamite (2004) 🔁
- What We Do in the Shadows (2014) 🔁
- Cats Don’t Dance (1997, post-revival) 🔁
- Hot Rod (2007) 🔁
- The Love Witch (2016) 🔁
- Gentlemen Broncos (2009) 🔁
- Sorry to Bother You (2018) 🔁
- Sharknado (2013) 🔁
- Sweeney Todd (2007) 🔁
- Epic Movie (2007)
- Jackass: The Movie (2002)
- Team America: World Police (2004)
- The Lego Batman Movie (2017)
- The Mitchells vs. the Machines (2021)
- TMNT (2007)
- Cocaine Bear (2023)
- The FP (2011) 🔁
- Garth Marenghi’s Darkplace (2004, TV but home-viewing staple)
- EuroTrip (2004)
- Strange Wilderness (2008)
- Zoom (2006) 🔁
- Crank (2006) 🔁
If you’d like any of these separated into spreadsheets, turned into
HTML checklists, or sorted by genre/audience, I can prep those next.
M: as i was looking for the ones you
suggested in my stacks, i found a few that i'd describe as 'missing'.
take a look at them, then see if you can extrapolate a few more
suggestions using these as a baseline. aim for around 50 or so. Babadook
The Craft Evil Toons Evil Dead: The Musical FDR: American Badass Garbage
Pail Kids Gymkata Heathers A Knight's Tale Masters of the Universe The
Nightmare Before Christmas Not of This Earth The Princess Bride RoboCop
The Shadow Some Like It Hot Stay Tuned Strange Days Surf II Tank Girl
Tucker and Dale vs. Evil Victor Victoria Wishmaster
G: Thank you for the excellent
batch—these are rich picks that bridge the tone between cult,
camp, and home-viewing chaos. Based on the mix you
provided, I’ve extrapolated a curated list of 50+ additional
films that share a similar spark—that is:
- Group-watchable
- Offbeat or extreme in premise or tone
- Under-discussed or once-forgotten
- Stylistically bold, awkward, or earnestly weird
- Work as cult, midnight, or home-spectacle depending on crowd
All new suggestions below are not previously
listed unless marked 🔁.
- Surreal horror/comedy hybrids (The Babadook, Tucker
& Dale)
- Camp or genre parody (FDR, Tank Girl,
Heathers)
- Animated oddities or grotesque puppetry (Garbage Pail
Kids)
- Offbeat takes on classics or action (RoboCop,
Victor/Victoria)
- Strong music or aesthetic drive (Evil Dead: The Musical,
The Craft)
- Genre-bending hybrids (Strange Days, The Shadow,
Stay Tuned)
- Forgotten mainstream failures with style (Masters of the
Universe, Surf II)
💥 50+ More Films That
Match That Energy
👻 Horror/Weird Horror Hybrids
- The Stuff (1985) 🔁 – Evil yogurt from space with corporate
satire.
- Society (1989) 🔁 – Paranoia and social body horror
climaxing in human goo.
- Fright Night (1985) – Teen vampire paranoia and monster
makeup love.
- Stage Fright (2014) – Slasher-musical hybrid with meat
cleaver songs.
- Sleepaway Camp (1983) – Messy, mean, and infamous for its
ending.
- Housebound (2014) – New Zealand horror-comedy with a weird
haunted house.
- The Love Witch (2016) 🔁 – Retro-glam sex magic aesthetic
overload.
- Willy’s Wonderland (2021) – Nicolas Cage vs. animatronic
demons, silently.
- The Blackcoat’s Daughter (2015) – Slow and eerie, but cult
in tone.
- Malignant (2021) – Genre switch halfway through wins cult
points.
🎶 Musically Driven
or Dance-Fueled Weirdness
- Phantom of the Paradise (1974) 🔁 – Proto-Rocky
Horror rock opera.
- MirrorMask (2005) – Neil Gaiman’s weirdest film, with a
dreamworld logic.
- Josie and the Pussycats (2001) – Satirical Y2K teen pop
industry sendup.
- Popstar: Never Stop Never Stopping (2016) – Lonely Island
mock-doc musical.
- Bugsy Malone (1976) – Gangster musical played by children
with custard guns.
- Grease 2 (1982) – Earnest disaster turned ironic joy.
- Heavy Trip (2018) – Norwegian metal band’s epic, ridiculous
road to Hellfest.
🦸
Genre-Bending Supernatural or Action Absurdity
- Miami Connection (1987) – Ninjas + friendship + synth rock
= VHS legend.
- Hobo with a Shotgun (2011) – Grindhouse madness fully
realized.
- Dead Heat (1988) – Buddy-cop zombie movie with literal meat
lockers.
- Shoot ‘Em Up (2007) – Bugs Bunny logic meets gun-fu.
- Starship Troopers (1997) – Fascism satire wrapped in bugs
and boobies.
- Darkman (1990) – Raimi goes full pulp superhero
psychosis.
- Manborg (2011) – DIY green-screen epic with Mega64
energy.
- Detention (2011) 🔁 – Genre-blender that hits teen
meta-horror from all angles.
🎭 Gender, Glam, and
Queer-Coded Chaos
- The Apple (1980) 🔁 – Disco biblical apocalypse opera.
- Velvet Goldmine (1998) 🔁 – David Bowie glam fantasy
masquerading as bio-pic.
- Female Trouble (1974) – Divine’s other John Waters
classic.
- To Wong Foo... (1995) 🔁 – Drag queen road trip, pageant
energy.
- But I’m a Cheerleader (1999) – Gay conversion therapy
satire in Barbie drag.
- Jawbreaker (1999) – Mean Girls before Mean Girls, but
acid-soaked.
- Party Monster (2003) – The rise and murder of Michael Alig
in glitter and drugs.
🤯 Surrealism and Stylistic
Bombast
- Southland Tales (2006) – Post-9/11 apocalypse
musical-prophecy nightmare.
- The Fall (2006) 🔁 – Jaw-dropping visuals used for pure
storytelling emotion.
- The Congress (2013) 🔁 – Robin Wright plays herself in a
techno-existential collapse.
- The Saddest Music in the World (2003) – Depression-era
beer/music deathmatch.
😹 Comedy,
Satire, or Inexplicable Studio Choices
- Drop Dead Gorgeous (1999) 🔁 – Small-town pageant + death +
mockumentary.
- Sgt. Pepper’s Lonely Hearts Club Band (1978) – Bee Gees +
Beatles songs + robots.
- Nothing But Trouble (1991) – Dan Aykroyd’s grotesque comedy
hell.
- Clifford (1994) 🔁 – Martin Short plays an evil
10-year-old.
- Hamlet 2 (2008) – “Rock Me Sexy Jesus” and other theatrical
absurdities.
- Brain Donors (1992) – Marx Bros. chaos in the wrong
decade.
- God Bless America (2011) – Satirical spree killings for
social media sins.
- The Sasquatch Gang (2006) – Small-town nerds and stolen
turds.
🧪 Forgotten
Experiments and Almost-There Madness
- Rubin and Ed (1991) – Crispin Glover sells the desert with
a dead cat in a cooler.
- Six-String Samurai (1998) – Post-apocalyptic Elvis samurai
road movie.
- Northfork (2003) – Ethereal oddity about angels, dying
towns, and Montana.
- The American Astronaut (2001) – Cowboy space opera with
performance art grit.
- Time Bandits (1981) 🔁 – Terry Gilliam’s time travel
anarchist fable.
- Black Roses (1988) – Hair metal band turns teens into
demons.
- Nightbreed (1990) – Clive Barker’s misunderstood monster
society saga.
- The Legend of Billie Jean (1985) – "Fair is fair!" teen
uprising tale.
Let me know if you want these broken out by watch-context (theater
vs. home), or into checkable formats for collection tracking. I can also
flag any you’re most likely to enjoy based on the tone and chaos
level of your original set.